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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073118-XN0HPZSW7N7CVITJ2ENM/Hjerleids+husflidskole+Nasjonen+28.08.1919+.png</image:loc>
      <image:title>Blogg - Hjerleid, levende nasjonal kulturarv - Hjerleids husflitsskule</image:title>
      <image:caption>Nasjonen 28.08.1919</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073122-J9DS4566SZT0X6ZCF4W6/d%C3%B8dsanonse+H.+Hjelreid+1888.png</image:loc>
      <image:title>Blogg - Hjerleid, levende nasjonal kulturarv - Dødsannonse Haldor Hjerleid</image:title>
      <image:caption>Horten 2 mars 1888</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073124-733I3SQ7U4Q9PLIO42MS/D%C3%B8dsanonse+Randine+04.02.1917.png</image:loc>
      <image:title>Blogg - Hjerleid, levende nasjonal kulturarv - Dødsanonse Randine Marie Hjerleid</image:title>
      <image:caption>Kristiania 4 februar 1917</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073127-JTP1J3MH3TNIMDUSYDO7/Randine+Hjerleid+18.09.1889+.png</image:loc>
      <image:title>Blogg - Hjerleid, levende nasjonal kulturarv</image:title>
      <image:caption>Om Randine Hjerleid 18.09.1889</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073130-5BBU83IBV05VNKD56R9S/GD+20.02.1917+Bauta+.png</image:loc>
      <image:title>Blogg - Hjerleid, levende nasjonal kulturarv - Dovre herredsstyre vil reise Dovres velgjørere en bauta</image:title>
      <image:caption>GD. 20.02.1917</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073143-0JHSCJVW8FCE2VY3C8GF/GD+03.08.1926+nybygg+..png</image:loc>
      <image:title>Blogg - Hjerleid, levende nasjonal kulturarv - Nybygget</image:title>
      <image:caption>GD. 03.08.1826</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073147-YBNVU6OAGD7ACSJ4NJJ7/Dovre+1900+Mittet+.jpg</image:loc>
      <image:title>Blogg - Hjerleid, levende nasjonal kulturarv</image:title>
      <image:caption>Dovre 1900 Mittet og co.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.handverkslaget.no/blog/mening-kulturminnevern-en-lekeplass-for-kulissemakere-kulturminnevern-og-handverk-handverkslaget-trond-oalann-hz7sk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073093-RGBCWRR98X7JDRQBRPI9/Figur+1.png</image:loc>
      <image:title>Blogg - Kulturminnevern, en lekeplass for kulissemakere?</image:title>
      <image:caption>Figur 1. Statistikk over bruken av ordet tradisjonshandverk i aviser. Fra Nasjonalbiblioteket.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.handverkslaget.no/blog/hva-er-det-med-takgeometri-tradisjonshandverk-tak-tre-trond-oalann-b5n4s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-02-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072625-OB2KLRAMF2L34MQ0D65B/Skiftning.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 1. K. Brun 1927. Beskrivelse av skiftning og avbindingsplass.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072628-4ZTE4KZ8TWM4W8H8CDIT/Skiftning+2.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 2. K. M. Viestad 1968 En plassbygd enkel avbindingsplass. På tegningen ser vi en avbindingsplass laget for eksempel av bord som er støttet opp av og festet på lekter eller lignende. Vi ser at i en situasjon ute på en byggeplass kan en nøye seg med et oppslagsplan som ikke er et helt gulv, men som danner rammene for profilet av selve takkonstruksjonen i full målestokk. Vi ser at hovedlinjene i konstruksjonen er snoret opp. I dette oppsettet mangler selve plantegningen av valmen, dette trenger vi for å finne «gratens lengde målt i grunnriss»</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072631-08GJSZLSD71W4UT69TAX/Skiftning+3.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 3. N. P. Nielsen. Her ser vi hvordan man ved hjelp av plan og snitt finner skjæringslinjene i et valmtak med to ulike fløyer. Den isometriske tegningen nede til høyre er kun for illustrasjon. Nede til venstre i tegningen ser vi selve planen, over dette ser vi et lengdesnitt og til høyre oppe et tverrsnitt der man har funnet målet x fra mønet for å kunne konstruere dette riktig i plan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072634-8HNQYAROS7MMMBBKBD5G/Figur+4.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 4. "Garnet de Lapin" 2012. Dette er en illustrasjon som forsøker å vise hvordan man overfører mål fra tegning til tømmer. Vi ser at målene på tegningen (merkene på profilet) må føres ut i lange linjer, slik sørger en for at de blir synlig når tømmeret ligger på avbindingsplassen. Nummereringen av merkene overføres fra plan til profil og gjerne videre til tømmer for å tydeliggjøre hva som er hva.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072637-T1YBQOWYPFZLIZPYTO4J/Figur+5.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 5: Michalsen. Figuren viser et oppslagsplan hvor vi finner sann lengde på gratsperr nede til høyre og vanlig sperr + gratskifte øverst. Vi ser at plantegningen danner hovedmålene sammen med snittet av vanlige sperr hvor vi finner mønehøyden merket H. Vi ser også hvordan lengden av gratsperr i plan kombinert med H gir oss sann lengde og fall på gratsperr. Legg merke til at i denne tegningen danner det som er senterlinje av gratsperr i plan grunnlinjen på profilet av gratsperr. På tegningen er gratsperr og gratskiftet også tegnet omkantet slik at vi ser underside, dette blir ikke gjort i praksis ved tilskjæring av tak, men det er vanlig å bruke i tegneøvelser. I dette eksempelet er det ikke hverken mønedrager, toppramme eller takutstikk, dette forenkler utformingen av sperret vesentlig.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072640-E0OWDHP2UN33IKGY5K63/Figur+6.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 6. Axel Weller 2017. Skisse av et gratsperr med gratskifter.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072643-H5ROSKZYF7B0C5914Z1I/Figur+7.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 7. Bilde av et gratsperr og gratskifter fra sett fra innsiden.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072645-IBY1BA8Z3U9XY0ZKCHJN/Figur+8.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 8. Et kilsperr med klo, modellbygging fra et kurs i skiftning med Axel Weller. NTNU-studiet, tradisjonelt bygghåndverk og restaurering. Læringsarena Vestland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072648-B5LWQ6NYM02T0NXNB9BT/Figur+9.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 9. K. M. Viestad 86. Konstruksjon av kilskifte med klo. Vi ser hvordan man kombinerer bruken av plan og kilprofil for å utarbeide et riktig profil av kilskiftet. Det finnes flere ulike metoder for å finne klovinkelen på et kilskifte.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072651-FK2HE3CHAZRP9I7AQ2IQ/Figur+10.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 10. Michalsen Bergen tekniske aftenskole 1928. Her ser vi et kilsperr hvor en fokuserer på beregning av klo på kilskiftet. Dette er en litt kompleks konstruksjonsmetode hvor en tar i bruk det N. p. Nielsen kaller for «planets spor». Uansett er prinsippet med å gå fra plan til profil i bruk.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072654-L5W4G7JNTZKCZD2QSUQE/Figur+11.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 11. Michalsen 28. Et kilsperr med "kilrenne"</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072657-1O4YKD6U3K2YYBN0RP7M/Figur+12.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 12. Michelsen 27. Konstruksjon av klo på gratskiftet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072660-3UQV7QNVQ7VHGHHQGXEJ/Figur+13.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 13. Martin Herman 2020. På en slik bygning med to like fløyer vil kilsperr og gratsperre møtes. Sammenskjæringslinjene i taket er markert med et kryss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072663-WF6MQ2XEECOXS9NT5F2J/Figur+14.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 14. K. M. Viestad 86. Møte mellom gratsperr og kilsperr.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072666-6Y09AZ8TAFQ6UAK57CO3/Figur+15.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 15. K. M. Viestad 73. Nedfallsgrat. Plantegning nede til høyre, profil nede til venstre som er omkantet for lesbarhetens skyld.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072669-EPNBNRDQT4J5QC8AWAPD/Figur+16.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 16. K. M. Viestad 73.En nedfallsgrat som er forlenget slik at den møter et vanlig sperr i den nedre enden.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072671-X6YONU38LML48IFTH4NL/Figur+17.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 17. K. M. Viestad 73. Her viser Viestad at også salingshakket for toppramma får ulik dybde fra ene siden til den andre når en har et usymmetrisk tak. Blir ulikheten stor må en gjerne bygge opp toppramma i ene takflata.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072674-JKAZ3Y74I2NYQRQ8KINU/Figur+18.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 18. K. M. Viestad 73. Her ser vi hvordan gratsperra avviker fra 45 grader i plan på et usymmetrisk valmtak og hvordan dette endrer profilet ganske radikalt. Også avkantingen eller avgratingen blir usymmetrisk, se snitt av gratsperr som er skravert øverst i midten.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072676-AMJFDAUMTMRQWXZQ82H7/Figur+19.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 19. Michelsen 27. Usymmetrisk grat.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072679-31JSRL1NPFCRPTTW0NQH/Figur+20.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 20. Michelsen 27.  Usymmetrisk kil.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072682-8J0Y652YYB4KG7PVI0PW/Figur+21.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 21. K Brun 1927.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072684-R7LWNKTKE2G54T7VZH8L/Figur+22.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 22. N. Peder Nielsen 32. plan 2. Dette er «øvingsoppgave nr. 2» i boka. Etterhvert kommer Nielsen inn på mer komplekse konstruksjoner. Til høyre i plansjen har vi en valm på en gavl som er ute av vinkel, vi ser hvordan dette straks blir mer komplisert, når vi i tillegg har et gratskifte som ikke står 90-grader på takfoten skaper dette ytterligere utfordringer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072687-DEFC38BDED2T4GK9P60X/Figur+23.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 23. Abbundplatz fra boken: Zimmermannskunst av Johan Schubler (1731)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072690-7WL4O2JNXN7GDRTK3AA2/Figur+24.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 24. K. M. Viestad 1973. En oppgave i tømrertegning.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072692-M1K1CJCCSUHQEG404Z6S/Figur+25.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 25. Eksempel fra boka til Anders Frøstrup Måling og kapping av taksperrer 1985. Her handler det om trigonometri, en takkonstruksjon består av ulike rettvinklede trekanter, derfor kan trigonometri benyttes til å regne ut lengder og vinkler. Ut fra dette kan en lage seg maler for ulike kappvinkler, salingshakk osv.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072695-M7VUR9KQJ4GEFHYW433X/Figur+26.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 26. N. Peder Nielsen 32. plansje 19.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072698-WF0D0DTJJ3AWWKOB805C/Figur+27.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 27. Fra Axel Weller sitt prosjekt med gjenreising av en takkonstruksjon på et slott i Frankrike. Vi ser at denne konstruksjonen både har en innerkonstruksjon og ytterkonstruksjon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072701-76LMJSCL2BBKYW812ACG/Figur+28.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 28. Axel Weller. Samme prosjektet som over.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072705-UWM7EYBKWEBI1H97I3A2/Figur+29.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 29. Axel Weller samme prosjekt som over.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072707-6BDA6F1GO53GUJ2TX93Z/Figur+30.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 30. N. P. Nielsen 1932. Plan 5. Vi ser et ark som treffer hovedtaket i en skrå vinkel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204072711-T7IPSPU66AYOGWK7OJXL/Figur+31.png</image:loc>
      <image:title>Blogg - Hva er det med “Takgeometri”?</image:title>
      <image:caption>Figur 31. N. P. Nielsen 1932. Plan 7. Vi ser en del av et tak med kilsperr i en vindskjev takflate, her har en valgt å utarbeide et kilsperr som buer i to ulike plan. Dette er gjennomførbart men det er usikkert om slike tak faktisk eksisterer i Norge, eller om dette er en mer teoretisk øvelse.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.handverkslaget.no/blog/kurs-i-grindbygg-stavbygg-bindingsverk-voss-vestland-trond-oalann-kjartan-bergsvaag-april-2021-75gxy</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2021-02-11</lastmod>
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      <image:title>Blogg - Kurs i grindbygg i regi av Handverkslaget</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.handverkslaget.no/blog/ledig-stilling-vg2-som-tekstil-hjerleid-skole-handverkssenter-dovre-innlandet-2021-bx9r3</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-01-19</lastmod>
  </url>
  <url>
    <loc>https://www.handverkslaget.no/blog/kurs-varen-2021-knipling-follor-knipleforening-elisabeth-bjorklund-bohler-eva-andresen-schneeberger-nybegynner-russisk-milanesisk-torchon-bexm2</loc>
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    <loc>https://www.handverkslaget.no/blog/berit-bruvik-torrmurer-muring-tradisjonsmurer-masonry-mason-alver-vestland-norway-zldmx</loc>
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    <loc>https://www.handverkslaget.no/blog/intervju-ragg-as-tor-granerud-andre-lyche-oppegaard-tvedestrand-agder-torrmuring-kulturlandskapspleie-kjottproduksjon-depx8</loc>
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    <lastmod>2020-07-17</lastmod>
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      <image:title>Blogg - Gjennom kulturlandskapspleie har vi blitt kjent med tørrmuring og kjøttproduksjon - Bli kjent med Ragg AS</image:title>
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      <image:title>Blogg - Gjennom kulturlandskapspleie har vi blitt kjent med tørrmuring og kjøttproduksjon - Bli kjent med Ragg AS</image:title>
      <image:caption>Foto: Tvedestrandsposten</image:caption>
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      <image:title>Blogg - Gjennom kulturlandskapspleie har vi blitt kjent med tørrmuring og kjøttproduksjon - Bli kjent med Ragg AS</image:title>
      <image:caption>Foto: Torgrim Landsverk</image:caption>
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      <image:title>Blogg - Gjennom kulturlandskapspleie har vi blitt kjent med tørrmuring og kjøttproduksjon - Bli kjent med Ragg AS</image:title>
      <image:caption>Foto: Torgrim Landsverk</image:caption>
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      <image:title>Blogg - Gjennom kulturlandskapspleie har vi blitt kjent med tørrmuring og kjøttproduksjon - Bli kjent med Ragg AS</image:title>
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  </url>
  <url>
    <loc>https://www.handverkslaget.no/blog/trebaatbygger-baatbygger-tomrer-lafter-peter-brennvik-vatne-aalesund-more-og-romsdal-a6adn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073726-ZMXSWNXP8TTPDZVG4Z2B/Screen+Shot+2020-07-12+at+17.32.18.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073729-L0Y4W9UD3GL4ZLMATRJN/S%C3%B8blomsten-001.JPG</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>Skipet “Søblomsten”, tatt i Kristiansund i 1896 av fotograf John K. Envig.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073765-S5K1NOGKF6ZLJVWRNGUJ/Screen+Shot+2020-07-10+at+22.26.29.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>#jakta #anne bro bygd i #granvin i #1911. på veg ut fra slippen til nordnorsk fartøyvernsenter i 2004. utskiftning av #spant , #hud og #garnering #kravell #skipstømmring</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073781-077SN532G7334P51KFJ2/Screen+Shot+2020-07-10+at+22.36.56.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>Grindbygg i sunnmørsk skikk ferdigstilt og overlevert. Oppdragsgivar syter for tekking og kledning sjølv. #grindbygg #romsdal #sunnmøre #ntnuhandverk</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073739-GE3WTDH3L0XZ7D5WG736/Screen+Shot+2020-07-10+at+22.35.46.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>Hekken til Bankskøyta er eit vakkert skue. #bankskøyta #bankskøyte #skipstømmring #hardangerfartøyvernsenter @kaiser_moebelbau_leipzig @jorgenmyhr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073770-BJVXSM1VIOBACUUUKKA9/Screen+Shot+2020-07-10+at+22.29.31.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>Kvilebuda er ferdigstillt og overlevert til #vestnes Kommune. #romsdal #grindbygg #nevertekking</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073755-UMWNZ9Y80YEPN4KOZXYG/Screen+Shot+2020-07-10+at+22.37.30.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>Camp Zoe i Krossfjorden er istandsatt. Isbjørnkongen Henry Rudi bygde hytta i 1911 og vil forhåpentligvis holde i mange år framover. Eg,Håvard Gjerde og Pål Remmen har utførd arbeidet.</image:caption>
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      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>#bankskøyta #bankskøyte #hardangerfartøyvernsenter</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073744-7SZ46L7X7XI38NW17N8P/Screen+Shot+2020-07-10+at+22.31.56.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>#møll #nevertekking #geiranger #husasnotra #lyngtorv</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073775-B54428DBQMYUEOHNZRO9/Screen+Shot+2020-07-10+at+22.35.19.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>#bankskøyta #bankskøyte #ålesund #trebåt @kaiser_moebelbau_leipzig @hardangerfartoyvernsenter</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073798-HETE267KA14L4KMDUTPZ/Screen+Shot+2020-07-10+at+22.36.22.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>Hulkil-høvel etter Anders Løvik. Den spyttar spona elegant. Høvelstålet er av Engelsk fabrikat. Høvelstokk i Ask og hornet av Bjørk. #norskehøvlarmedhorn #romsdalshøvel #høvel #husasnotra #tresfjord</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073787-JRN80ABRNVUX71Y9UIA2/Screen+Shot+2020-07-10+at+22.33.38.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>Det meste av rekka er montert, no gjenstår litt sletting rundt laskar. #bankskøyta #bankskøyte #hardangerfartøyvernsenter #trebåt #skipstømmring</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073792-19R6Q3IWJKBO427B0U45/Screen+Shot+2020-07-10+at+22.49.43.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>Eg er i gong med å ry nytt veggtømmer til ei kirkebud som er under restaurering på @sunnmoremuseum. Her er nokre biletet av verktøyet og frå arbeidsprosessen.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073760-JSGHOLVSKDTUK6TXTA3T/Screen+Shot+2020-07-10+at+22.59.07.png</image:loc>
      <image:title>Blogg - Ved å prøve å forstå hvordan ting ble gjort, blir en ydmyk. Hils på trebåtbygger, Peter Brennvik</image:title>
      <image:caption>For nokre månadar sia fikk eg smidd kopi av ei øks i frå Geiranger. Eg fikk skjefta den i helga. Den er 3 kg og ganske rett i eggen i forhold til mange andre økser i frå Storfjorden. En må liksom sikte litt meir for å treffe bra. overflata blir ganske slett og plan. Terje Granås har smidd øksa.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.handverkslaget.no/blog/marius-holje-tomrer-lafter-loten-minnesund-innlandet-anb6k</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-07-05</lastmod>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
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      <image:title>Blogg - Interessen for tømmer, skog, og natur har alltid vært der. Hils på tømrer Marius Holje</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.handverkslaget.no/blog/tusen-aar-med-brytning-av-kleberstein-tok-nettopp-slutt-per-storemyr-edw7b</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073811-1OWTSPP0I51VV7SHIQKO/kleberbrudd-grandalen-1918-manual-channeling-ngu2.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>Manuell brytning av kleberstein med hakker ved Otta i 1918. Slik brytning foregikk helt opp til 1930-tallet i Norge. Kan man ta denne gamle tradisjonen i bruk igjen? Det er den klassiske metoden for å bryte myk stein – den har vært i bruk for store byggeoppgaver siden de gamle egypternes tid. Fra N.S. Beers klebersteinsbrudd, Grandalen, i drift til 1935. Foto: Norges Geologiske Undersøkelser sitt arkiv.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073815-G0P6D31THGE6NHDXYDYH/pillarguri_1998_1.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>NEDLAGT: Del av pillarguribruddene ved Otta i 1998. Det siste aktive kleberbruddet i Norge. Foto: Per Storemyr</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073837-659MGN5413D60M6BAHMT/nidarosdomen-steintyper-nordside-ps.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>GJENREIST: Nidarosdomen er gjenreist med stein fra hele Norge. Men i middelalderen ble det benyttet lokale/regionale steintyper. Illustrasjon: Per Storemyr</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073831-ER4U19F1RKXQ3Q19H7SU/nidarosdomen-grytdalstein-c3b8delagt.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>BERYKTET: «Grytdalstein» fra Gauldalen forvitrer fortere enn svint. Steinen ble brukt under gjenreisningen av Nidarosdomen mellom 1869 og 1892. Hodene er nå tatt vekk og erstattet. Mindre ekstreme eksempler finnes på hele domkirken. Foto: Per Storemyr</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073850-PZYEYCW6FXNMFJXQO0J3/stavanger-kviknestein-1986-2016.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>STAVANGER: Forvitret Kviknekleber på Stavanger domkirke i 2016 – etter bare 30 års «tjeneste». Det største problemet er at biter faller ned fra stor høyde. Her må det erstattes. Men med hvilken kleberstein? Foto: Per Storemyr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073826-A3HJP0QT3S0RWN9U23W2/servicesresearch2a.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>FORVITRET: Middelalderskulptur på Nidarosdomens oktogon. Slik så den ut for 20 år siden. Nå er den ødelagt. Den sprakk opp. Den må kanskje erstattes. Med hvilken kleberstein? Foto: Per Storemyr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073844-W8FGBTKX20GFS7M9QRTT/grunnes-2000-ps1.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>VRAKSTEIN: Her plukker nå Nidarosdomen vrakstein for restaurering. Grunnes i Målselv. Bruddet var det nest siste som ga opp i Norge, for en 10-15 års tid tilbake. Foto: Per Storemyr, ca. 2000</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073859-0NE6EYNI8AURQL2RZNXL/handc3b8l_1998_1.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>SVERIGE: Klebersteinsbruddet ved Handöl i Jämtland er lagt ned. Her i full drift på slutten av 1990-tallet. Kjedesaging av blokk. Foto: Per Storemyr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073863-NOPUXTIS98IN8SGE6AUB/klebernorge-kopi.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>KLEBERBRUDD: De viktigste klebersteinsforekomstene i Norge. Storparten av forekomstene har eldre og/eller nyere brudd. Kart modifisert fra mineralressursdatabasen til ngu.no.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073878-YPFWUZOLS7P93ZBPMNYF/klebersteinbrudd-otta-bc3a5rstad-sc3b8mboring.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>SPETTO: Uthogging av kleber med «spetto» i Vesleseterbruddet i Heidal ved Vågå i 1932. Dette var nødsarbeid i mellomkrigstiden og kleberen ble brukt til ovner og peiser. Foto: Maihaugen. Foto også gjengitt i boka «Det mjuke berget» (red. Kirsti Krekling)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073883-SNH9JAE40IBBV7LIPGSG/otta-spetto-1932.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>SØMBORING: Kleberarbeidere med bormaskiner, trolig i Bårstadbruddene ved Lalm på 1920-tallet. Til høyre ses sømboring i bergveggen. Foto gjengitt med tillatelse av Sel Historielag, se deres fotosamling</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073872-0W5XKNY5GNK8XE8AHZ6L/baarstad-1915.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>MEKANISERING: Fra Bårstadbruddene ved Lalm, visstnok omkring 1915, men trolig heller noe senere. Her kan vi se storstilt mekanisering, både borerigger (i fremkant) og linesaging (i bakkant). Foto: H.H. Lie. Foto gjengitt i boken «Klebereventyret på Bårstad og Sagflaten» av Terje Kleiven, 2013. Se også nettartikkel av Kjetil Voldheim</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073888-D6G4CWQKN35IWLVHCRJQ/otta-kleberbrytning-pc3a5-gammelmc3a5ten.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>GAMMELMÅTEN: Kleberbrytning på gammelmåten i det store Åsåren-bruddet, trolig mellom 1915 og 1930. Foto fra Bjørn Holen/Ingrid Fredheim, gjengitt i boken «Klebereventyret på Bårstad og Sagflaten» av Terje Kleiven, 2013. Se også nettartikkel av Kjetil Voldheim</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073898-I2MXH9BV3DUB350B8IYV/otta-saging-nyseter.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>KJEDESAGING: Moderne kjedesaging i Nyseterbruddet ved Otta i 1998. Foto: Per Storemyr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073901-CEN4U90JWND6OP84UM1R/ostermundigen-schweiz-steinbrecher-altes-handwerk.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>KANALHOGGING: Sandsteinsbrudd i Ostermundigen, nær Bern i Sveits. Kanalhogging på 1950-tallet. Foto: W. Nydegger, i boken «Ostermundigen. Geschichte. Gemeindeentwicklung. Alte Ansichten», av Schmalz, K. L., 1983, utgitt av Einwohnergemeinde Ostermundigen. Les mer om historien til sandstein i Bern</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073907-6Y7V9D973ZZ3UK5ZN945/b_klungen_steinbrudd_eva.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>STAVSØIENS EKSPERIMENT: Eva Stavsøien tar ut kleber med gammeldags kanalhogging i kleberbruddet på Klungen i 2011. Foto: Per Storemyr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073916-9C18L0KZZCMXXWMQMU1C/kalkmangfold1.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>KALKMANGFOLD: Eksperimentell produksjon av kalk på gammelmåten gir et stor mangfold i kvalitet på lesket kalk – noe helt annet enn hva industriell produksjon kan varte opp med. Foto: Per Storemyr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073922-MX0ZZC67UT031ZY5JV31/steinbrytning-kvikne-ndr-1995.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>SPLITTING: Steinhoggerne Atle Elverum og Henning Grøtt deler opp blokk ved hjelp av kiler med blekker i kleberbruddet på Bubakk ved Kvikne i 1995. Dette var et av de aller siste steinuttakene i bruddet. Nå forvitrer steinen de tok ut… Foto: Per Storemyr</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073924-J1H37JGTR6Q4RCX09LDU/bubakk-1960s-arne-skjolsvold-uio.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>BUBAKK: Kleberbruddet på Kvikne/Bubakk på 1960-tallet. Her har NDR steinbrytere gjort et dypt kutt inn i alle sporene etter gamle uttak av gryter og kar. Foto: Arne Skjølsvold, fotoarkivet, Kulturhistorisk Museum, Universitetet i Oslo (CC BY-SA 4.0)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/68ad8bba46aacd09a9bc7369/1756204073927-TBMWR4VLMR4DLDXIEX5L/klungen-2000-ps1.jpg</image:loc>
      <image:title>Blogg - Tusen år med brytning av kleberstein tok nettopp slutt…</image:title>
      <image:caption>KLUNGENBRUDDET: Etter arkeologiske utgravinger og prøveuttak med linesaging, ca. 2000. Foto: Per Storemyr.</image:caption>
    </image:image>
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      <image:title>Blogg - Vi har møtt gipsmakeren, Peder Alme</image:title>
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      <image:title>Blogg - Vi har møtt gipsmakeren, Peder Alme</image:title>
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      <image:title>Blogg - Vi har møtt gipsmakeren, Peder Alme</image:title>
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      <image:title>Blogg - Vi har møtt gipsmakeren, Peder Alme</image:title>
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      <image:title>Blogg - Vi har møtt gipsmakeren, Peder Alme</image:title>
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    <lastmod>2020-06-17</lastmod>
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    <lastmod>2020-06-16</lastmod>
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      <image:title>Blogg - Navarsmeden - vårt eldste medlem</image:title>
      <image:caption>Foto fra arikkel i Vestnytt, 8. mars 2017.</image:caption>
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      <image:caption>Illustrasjonsfoto- Fra 1. mai demonstrasjon, ukjent årstall. Fotograf: Narve Skarpmoen.</image:caption>
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      <image:title>Handverkstorget - Leif K. Fjelde - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Handverkstorget - Erlend Mæhlum</image:title>
      <image:caption>“Mæhlum har vært statsstipendiat i tradisjonsmaling i 3 år, og er utdannet malermester med fokus på tradisjonelle malingsteknikker. Han er stasjonert på Hadeland hvor han jobber i skoleverket, i tillegg til å drive kursing i tradisjonsmaling på museum, foredragsvirksomhet og mindre maleroppdrag. Innenfor tradisjonell maling og malingsteknikker finner vi bl.a. linoljemaling, linoljebehandling, komposisjonsmaling, tranoljemaling, arbeid med sjablonger med mer. Han kan også bistå med fargeanalyser, fargetrapper og underlagsvurdering. Et prosjekt som Mæhlum har vært involvert i var fargeanalyser på Bryggen i Bergen, hvor de fortsatt lager maling etter hans oppskrifter. Stiller gjerne opp som kursholder i tradisjonelle malingsteknikker og formidlingen av dette!” — Odd Erlend Mæhlum</image:caption>
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      <image:title>Handverkstorget - Erlend Mæhlum - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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